Society for Asian Art and Asian Art Museum are separate non-profit organizations with separate memberships. Please use the appropriate registration buttons to register for Society programs.
Advance registration is now closed. If you are interested in signing up by paying a late registration fee, please email the SAA Office Manager. Thank you.
What is going on with contemporary Asian art? What are its messages? Who is the audience? What are the concerns of the artists? How are they using new and traditional media? What are the ideas about art in these works? How might we understand new works?
Contemporary art is all around us. It may attract or repel us. Its messages and means may be new, but the imperative to communicate successfully is more urgent than ever in a global market of ideas. Contemporary art is often deliberately transgressive — it crosses boundaries between media, genres, geographic regions, traditions, gender identities, national identities, politics, ideals of beauty, and ideas of permanence. Many of the artists are émigrés, who must cross boundaries to make their art.
Join us for an adventurous journey into the realms of contemporary Asian art. Led by Abby Chen, Asian Art Museum’s Head of Contemporary Art and Senior Associate Curator, this lecture series features 14 scholars, curators and artists from around the world, who will address contemporary art practices and concerns across Asia and the Asian diaspora.
Speakers & Topics (Subject to Change)
August 27, 2021
Finding Your Way in the Wide World of Contemporary Asian Art Study Guide Additional Resources
Abby Chen, Head of Contemporary Art and Senior Associate Curator, Asian Art Museum of San Francisco
September 3, 2021
Mercurial Moments in Contemporary Asian Video Art Study Guide Laura Marks Article Siying Duan Article Video Clips
Laura U. Marks, Grant Strate Professor, School for the Contemporary Arts, Simon Fraser University
September 10, 2021
Pursuing Justice Through Cinema Study Guide
Ohm Phanphiroj, Artist
September 17, 2021
My Body is a Canvas for My Art Study Guide
Chaw Ei Thein, Conceptual and Performance Artist
September 24, 2021
Off the Wheel and Breaking the Mold: Japan’s Ceramic Art Today Study Guide
Laura Allen, Chief Curator, Asian Art Museum of San Francisco
October 1, 2021
Safar/Voyage: Contemporary Works by Arab, Iranian, and Turkish Artists Study Guide Additional Resources
Fereshteh Daftari, Independent Scholar and Curator
October 8, 2021
Luminous Ground (Artist Talk) Study Guide
Ala Ebtekar, Artist
October 15, 2021 (Note: Lecture will be from 2:00 p.m. to 4:00 p.m. Pacific Time.)
Building a New Tradition: Contemporary Architecture in China Study Guide
Li Xiangning, Professor and Assistant Dean, Tongji University College of Architecture and Urban Planning
October 22, 2021
Hung Liu's Family Portraits and Their Afterlives Chronology and Additional Resources
Dorothy Moss, Curator of Painting and Sculpture, National Portrait Gallery, and Coordinating Curator of the Smithsonian American Women's History Initiative
October 29, 2021
Messages, Materials and Meaning in My Art Study Guide
Jean Shin, Artist and Adjunct Professor, Pratt Institute
November 5, 2021
On the Art of Timelessness in Contemporary Japanese Cinema
Akira Mizuta Lippit, Professor and Vice Dean of Faculty, Division of Cinema and Media Studies, University of Southern California
November 12, 2021
Transformations of Tradition in Mongolian Contemporary Art
Uranchimeg Tsultem, Assistant Professor and Edgar and Dorothy Fehnel Chair in International Studies, Herron School of Art + Design, Indiana University–Purdue University Indianapolis
November 19, 2021
Re-Telling Tales: Five Contemporary Women Artists from India (1997-2021)
Arshiya Mansoor Lokhandwala, Art Historian, Curator and Founder of Lakeeren - The Contemporary Art Gallery
December 3, 2021
Boundaries Crossed: Asian American Artists at Work
Marci Kwon, Assistant Professor, Department of Art History, Stanford University
Photo Credits: Left: Ended Season (detail), 2011, by Zheng Chongbin (American, b. China, 1961). Ink and acrylic on paper. Asian Art Museum, Museum purchase with exchange funds from the estate of K. Hart Smith with additional funds from the Clarence Shangraw Memorial, 2012.5. Right: Large Bowl with Celadon Glaze, 2011, by Kawase Shinobu (Japanese, b. 1950). Celadon bowl with undulating rim. Asian Art Museum, Gift in honor of Dr. Laura W. Allen, 2013.48. © Kawase Shinobu. Photographs © Asian Art Museum.
Click on the image below to see the brochure for this lecture series.
The 14 lectures are 14 separate webinars. A Zoom confirmation email with information on how to join the webinar will be sent to all registered attendees 2 or 3 days before each lecture. Even though it is not required by Zoom, we recommend that you download and install Zoom on your computer or mobile device in advance, and set yourself up with a free account. Attendees will have a chance to participate in the Q&A with a text chat function. Read Arts of Asia Webinar FAQs.
The Society for Asian Art's cancellation policy requires at least one week's advance written notice in order to receive a refund of registration fees. This excludes our Travel programs, which have separate cancellation policies, as well as any programs where a specific refund policy is stated on the event page. Your fees will be returned to you through a check in the mail. To cancel, please contact us.
For programs located within the Asian Art Museum, the museum entrance fee must be paid separately and is not included with your registration fee.
Please note that by registering for a program, you are giving consent to the SAA to be photographed or videoed as a participant.