Society for Asian Art and Asian Art Museum are separate non-profit organizations with separate memberships. Please use the appropriate registration buttons to register for Society programs.
Due to the uncertainty surrounding when the museum can safely reopen and the impact of the social distancing guidelines, the SAA is changing this Arts of Asia Lecture Series to Zoom webinars only. In addition, we will no longer accept drop ins for individual lectures. A Zoom confirmation email with information on how to join the webinar will be sent to all registered attendees the week of August 17.
Our distinguished scholars explore some of the greatest stories in history, stories that still speak to us today, and the art they have inspired. Come look at historical figures, religious leaders, and characters in epics and great works of fiction. We will see how history is transformed in the Romances of Alexander the Great in Asia and the Japanese war epic, The Tale of Heike. Come witness the fights against demons by Tibet’s first Lama, Milarepa, and Rostam, the great hero of the Shahnameh. Who are the heroines behind the heroes: the woman who created Tale of Genji, and the real hero of the 1001 Nights, Shahrazad? We will contrast the roles of moving religious performances, including Krishna’s dance as divine play, and the powerful Shia passion play, the Ta’ziyeh of Hussein. We will explore how two powerful political leaders, King Sejong of Korea and Mao Zedong of China are depicted. Examine the challenges posed by heroes and villains in three epic novels of Chinese literature, The Three Kingdoms, Water Margin (Lords of the Marsh), and Jin Ping Mei (The Golden Lotus). Join us to learn about the different kinds of heroism in the Ramayana, and how Bali’s Rangda and Barong restore cosmic balance.
It’s Right to Rebel! (zào fǎn yǒu lǐ): Heroes, Justice and Anarchy in The Water Margin, Jin Ping Mei and Beyond
Stephen Roddy, University of San Francisco
The Hero Dances: Representing Krishna’s Play
Forrest McGill, Asian Art Museum
Alexander Dhulqarnayn: Mariner, Mountaineer, Sage, and Islamic Holy Figure
David Zuwiyya, Auburn University
Dīvs and Dragons as Adversaries: Rostam Faces his Zoroastrian Demons
Touraj Daryaee, UC Irvine
Decoding Milarepa: Tibet’s First Lama
Jeff Durham, Asian Art Museum
What Kind of Heroism Appears in the Ramayana of India?
Paula Richman, Professor Emerita, Oberlin College
Defanging the Demonic and Dancing the Divine: Bali’s Rangda and Barong in Cosmic Balance
Kathy Foley, UC Santa Cruz
The Changing Faces of Heroism and Villainy in The Three Kingdoms Story Cycle 220-2020
Kimberly Besio, Colby College
King Sejong the Great Korean Scholar King
Michael Robinson, Professor Emeritus, Indiana University Bloomington
Arrogance, Bravery, and Betrayal – Visualizations of Some Towering Figures in Japan’s Medieval War Epic The Tale of Heike
John Wallace, UC Berkeley
The “Woman’s Hand” in Tale of Genji: Illuminated Manuscripts through the Ages
John Carpenter, Metropolitan Museum of Art
Ta’ziyeh: The Shia Passion Play
Negar Mottahedeh, Duke University
Shahrazad, Superhero of the 1001 Nights
Suzanne Gauch, Temple University
Red Media: Tempering Hearts with Mao Zedong
Jennifer Dorothy Lee, University of Chicago
* Photo Credits:
Left: The Boy Krishna holding a stolen butterball and dancing, perhaps 1600–1700. Southern India. Bronze. Asian Art Museum, The Avery Brundage Collection, B60B192. Photograph © Asian Art Museum of San Francisco.
Right: The hero Rustam slaying a dragon, from a manuscript of the Shahnama (Book of Kings), 1600–1650. Northern India or Pakistan. Opaque watercolors on paper. Asian Art Museum, Gift of Mr. and Mrs. George Hopper Fitch, B74D20. Photograph © Asian Art Museum of San Francisco
The Society for Asian Art's cancellation policy requires at least one week's advance written notice in order to receive a refund of registration fees. This excludes our Travel programs, which have separate cancellation policies, as well as any programs where a specific refund policy is stated on the event page. Your fees will be returned to you through a check in the mail. To cancel, please contact us.
For programs located within the Asian Art Museum, the museum entrance fee must be paid separately and is not included with your registration fee.
Please note that your registration for this event is consent to be photographed or videoed as a participant for SAA publicity purposes.