This talk explores the identity of India’s Zoroastrians (Parsis) as it finds expression in their art and architectural patronage. Through the lens of an intriguing late-19th century silver bowl depicting ancient Achaemenid and Sasanian period rock reliefs, this talk explores why Indian Parsis articulated their distinctive religious and cultural identity through pre-Islamic Persian imagery and how the selected scenes came to be represented with fairly high accuracy on this bowl. Findings reveal interconnections—through the agencies of individuals and cultural exchanges linked by land and sea routes—between ancient Persia, colonial Bombay, and Qajar Iran.
Qamar Adamjee has been the Associate Curator of Indian and Islamic Art at the Asian Art Museum in San Francisco since 2009. She received her PhD from New York University’s Institute of Fine Arts and was at The Metropolitan Museum of Art’s Islamic art department before coming to the Asian. An arts of the book person at heart, Qamar has worked on diverse subjects including Islamic, Hindu and Sikh art; medieval Indian paintings and sculpture; 19th-century photography, painting, and prints; and contemporary art from South Asia and its diaspora. Her research interests lie in artworks produced at the confluence of different cultural traditions to explore the artistic and intellectual worlds of the people who made or used them.
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