Arts of Asia Fall 2020 Heroes and Villains in Asian Art and Culture

Arts of Asia Lecture Series
* Please see the bottom of this webpage for the photo credits.

Arts of Asia Fall 2020 Heroes and Villains in Asian Art and Culture

Instructor: 
Stephen Roddy
When: 
August 21, 2020
Time: 
Fridays, August 21 to December 4, 10:30 am to 12:30 pm (No lecture on November 6 & November 27) (Subject to change)
Place: 
Samsung Hall, Asian Art Museum (Subject to change)
Fee: 
Registration Fees after Applying Balance of Spring 2020 Registration Fees $87.50 Society members; $100 non-members (after museum admission)

This registration page is only to be used by people who elected to apply the balance of their spring 2020 Arts of Asia registration fees to the fall 2020 Arts of Asia lecture series. The registration fees reflect the credit applied.

Our distinguished scholars explore some of the greatest stories in history, stories that still speak to us today, and the art they have inspired. Come look at historical figures, religious leaders, and characters in epics and great works of fiction. We will see how history is transformed in the Romances of Alexander the Great in Asia and the Japanese war epic, The Tale of Heike. Come witness the fights against demons by Tibet’s first Lama, Milarepa, and Rostam, the great hero of the Shahnameh. Who are the heroines behind the heroes: the woman who created Tale of Genji, and the real hero of the 1001 Nights, Shahrazad? We will contrast the roles of moving religious performances, including Krishna’s dance as divine play, and the powerful Shia passion play, the Ta’ziyeh of Hussein. We will explore how two powerful political leaders, King Sejong of Korea and Mao Zedong of China are depicted. Examine the challenges posed by heroes and villains in three epic novels of Chinese literature, The Three Kingdoms, Water Margin (Lords of the Marsh), and Jin Ping Mei (The Golden Lotus). Join us to learn about the different kinds of heroism in the Ramayana, and how Bali’s Rangda and Barong restore cosmic balance.

August 21
It’s Right to Rebel! (zào fǎn yǒu lǐ): Heroes, Justice and Anarchy in The Water Margin, Jin Ping Mei and Beyond
Stephen Roddy, University of San Francisco

August 28
The Hero Dances: Representing Krishna’s Play
Forrest McGill, Asian Art Museum

September 4
Alexander Dhulqarnayn: Mariner, Mountaineer, Sage, and Islamic Holy Figure
David Zuwiyya, Auburn University

September 11
Dīvs and Dragons as Adversaries: Rostam Faces his Zoroastrian Demons
Touraj Daryaee, UC Irvine

September 18
Decoding Milarepa: Tibet’s First Lama
Jeff Durham, Asian Art Museum

September 25
What Kind of Heroism Appears in the Ramayana of India?
Paula Richman, Professor Emerita, Oberlin College

October 2
Defanging the Demonic and Dancing the Divine: Bali’s Rangda and Barong in Cosmic Balance
Kathy Foley, UC Santa Cruz

October 9
The Changing Faces of Heroism and Villainy in The Three Kingdoms Story Cycle 220-2020
Kimberly Besio, Colby College

October 16
King Sejong the Great Korean Scholar King
Michael Robinson, Professor Emeritus, Indiana University Bloomington

October 23
Arrogance, Bravery, and Betrayal – Visualizations of Some Towering Figures in Japan’s Medieval War Epic The Tale of Heike
John Wallace, UC Berkeley

October 30
The “Woman’s Hand” in Tale of Genji: Illuminated Manuscripts through the Ages
John Carpenter, Metropolitan Museum of Art

November 13
Ta’ziyeh: The Shia Passion Play
Negar Mottahedeh, Duke University

November 20
Shahrazad, Superhero of the 1001 Nights
Suzanne Gauch, Temple University

December 4
Red Media: Tempering Hearts with Mao Zedong
Jennifer Dorothy Lee, University of Chicago

* Photo Credits:
Left: The Boy Krishna holding a stolen butterball and dancing, perhaps 1600–1700. Southern India. Bronze. Asian Art Museum, The Avery Brundage Collection, B60B192. Photograph © Asian Art Museum of San Francisco.
Right: The hero Rustam slaying a dragon, from a manuscript of the Shahnama (Book of Kings), 1600–1650. Northern India or Pakistan. Opaque watercolors on paper. Asian Art Museum, Gift of Mr. and Mrs. George Hopper Fitch, B74D20. Photograph © Asian Art Museum of San Francisco

Registration Policies

The Society for Asian Art's cancellation policy requires at least one week's advance written notice in order to receive a refund of registration fees. This excludes our Travel programs, which have separate cancellation policies, as well as any programs where a specific refund policy is stated on the event page. Your fees will be returned to you through a check in the mail. To cancel, please contact us.

For programs located within the Asian Art Museum, the museum entrance fee must be paid separately and is not included with your registration fee.

Please note that by registering for a program, you are giving consent to the SAA to be photographed or videoed as a participant.